ELA re-saves an image at a known quality and maps the difference. Areas with a different compression history stand out — which is why it has been the standard first look at a suspected edit for over a decade. It is also the most over-interpreted tool in image forensics, so the result comes with instructions.
The principle is simple, which is both its strength and the reason it gets misused so often.
Compression discards detail in a predictable way. Save the same image again and the second save loses less, because much is already gone.
A region pasted in from another file has been through a different number of saves. Re-save the whole image and that region responds differently.
Bright areas returned a larger difference between the original and the re-saved version. It is a map of compression response, not a map of lies.
Sharp boundaries, text and high-contrast detail produce high error levels naturally. This is the single most common misreading of an ELA image.
The signal is an area that differs from **similar** surroundings — smooth sky next to smooth sky, skin next to skin. Bright edges mean nothing.
Photographs vary because textures compress differently. An unusually flat map can indicate generation — or simply heavy compression, which is why it is a hint and not a finding.
Find two areas of similar texture and see whether they respond similarly. Comparing a face against a brick wall tells you nothing.
Resizing, format conversion, repeated saving and platform re-encoding all produce ELA patterns that resemble editing. Most bright regions are not edits.
ELA is genuinely useful for locating a suspected edit and genuinely bad as a standalone verdict. In our full analysis it carries a deliberately modest weight alongside eleven other methods.
ELA finds editing, not generation. To check whether an image was made by AI at all, start with our AI image detector — it covers any image type and runs the same twelve methods.
Create a free account and get 3 checks. Full breakdown across all 12 methods, no card required.